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<oembed><version>1.0</version><provider_name>GIBO PERLOTTO</provider_name><provider_url>https://www.giboperlotto.com/en/</provider_url><author_name>massimo</author_name><author_url>https://www.giboperlotto.com/en/author/massimo/</author_url><title>THE SHAPE OF THE WORLD IN GIBO&#x2019;S CREVICES - GIBO PERLOTTO</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="vc9Q8RJExh"&gt;&lt;a href="https://www.giboperlotto.com/en/forma-mundi-nelle-crepe-di-gibo/"&gt;THE SHAPE OF THE WORLD IN GIBO&#x2019;S CREVICES&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.giboperlotto.com/en/forma-mundi-nelle-crepe-di-gibo/embed/#?secret=vc9Q8RJExh" width="600" height="338" title="&#x201C;THE SHAPE OF THE WORLD IN GIBO&#x2019;S CREVICES&#x201D; &#x2014; GIBO PERLOTTO" data-secret="vc9Q8RJExh" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><description>edited by Luigi Borgo Only isolated people communicate, Eugenio Montale With the Crevices, large iron plates ridged each with its own telluric trend, we enter the deepest core of the now forty-year long artistic research of Gibo Perlotto, in what is considered the most revealing moment of his art. Almost as if the Crevices were, [&hellip;]</description></oembed>
