1.0GIBO PERLOTTOhttps://www.giboperlotto.com/en/massimohttps://www.giboperlotto.com/en/author/massimo/rich600338<blockquote class="wp-embedded-content" data-secret="Vzxo0uvLRZ"><a href="https://www.giboperlotto.com/en/il-casus-gibo/">THE GIBO CASUS</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.giboperlotto.com/en/il-casus-gibo/embed/#?secret=Vzxo0uvLRZ" width="600" height="338" title="“THE GIBO CASUS” — GIBO PERLOTTO" data-secret="Vzxo0uvLRZ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.giboperlotto.com/wp-includes/js/wp-embed.min.js </script> edited by Luigi Borgo THE TWELVE APOSTLESA quick glance at the stars of ironmongery in the last hundred years must be given before starting to write about Gibo (Angelo Gilberto Perlotto): who are the seven or perhaps more artists who, using iron, have left their mark on contemporary art? Where does their iron-work place itself […]