{"id":1405,"date":"2019-05-28T09:17:14","date_gmt":"2019-05-28T09:17:14","guid":{"rendered":"http:\/\/www.giboperlotto.com\/home-2\/"},"modified":"2020-05-26T07:05:32","modified_gmt":"2020-05-26T07:05:32","slug":"gibo","status":"publish","type":"page","link":"https:\/\/www.giboperlotto.com\/en\/","title":{"rendered":"Gibo"},"content":{"rendered":"\n
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\nGIBO PERLOTTO\n<\/div>\n\n\n\n<\/a>\n\n\n\n<\/a>\n\n\n\n
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SCULPTURES<\/h2>\n<\/div>\n\n\n
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\n\tGIGLI DEL NILO A VIENNA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tSOLE AL BUIO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tVUOTO CHE RESTA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tGRANA DA GRANO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tABBANDONO SULLE CARESSE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\t“IL NERO” SCARLATTO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tLIMONETO \u2013 RAMO DI LIMONI<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tLUCIDORO – FRUTTO DELLA LUCE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tCITRUS 3<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tSACRI GRANI DI ZEUS<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tS \/ 5.A<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tLE SORGENTI DI ARTURO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tNO*BIS SONABIT DIABOLUS<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tVA, PENSIERO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tHELIANTHUS<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tPRELUDIO D’AUTUNNO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tDAL MELO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tDAL FICO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tRACCONTI\u2026DELL\u2019ANIMA (to Mario Rigoni Stern)<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tPER LA MANO SINISTRA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tGiorgio Rigotto<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tPreludio n\u00b015<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tLa Mela di C\u00e9zanne<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tLE QUATTRO MELE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tMELA INSANA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tUNA BUONA STAGIONE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tQUADRI DI UN’ESPOSIZIONE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tEROICA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tVITE (D’INVERNO)<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tASTRO DELLA TERRA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tI numeri del silenzio<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tVITE (INEBRIA)<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tVITE (ARMONIA)<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tCI\u00d2 CHE RESTA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tFORMA MUNDI<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tGibo: HISTORY, ART AND THOUGHT<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tCREPA 2<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tCREPA P2<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tI DODICI APOSTOLI<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tBIANCO ALTROVE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tMela del dubbio<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\t\t\t\n\t\n\t\t\"\"\n\t\t<\/a>\t<\/div>\n<\/div>\n\t
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\n\tSIC TURBO<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tKAIROS<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tPaola Cassinelli<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tASSENZA DI MUSE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tTENSIONI PERDUTE<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tMarco Meneguzzo<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tROSSO PRIMAVERA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tL\u2019ORO DELLE RONDINI<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n\t\t\n\t\t\t\t\t\t\t\t\t
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\n\tFRATELLI D\u2019ITALIA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/article>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\n\t\t\tLoad more<\/span>\n\t\t\t<\/span> Loading more…<\/span><\/span>\n\t\t\tYou\u2019ve reached the end of the list<\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Gilberto Angelo Perlotto, known as Gibo, is one of the greatest contemporary exponents in ironwork art. Critics have ascribed Gibo\u2019s work to the hyperrealist style.<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-1405","page","type-page","status-publish","entry"],"yoast_head":"\nAngelo Gilberto Perlotto - Gibo Perlotto - Sculpture Hyperrealist Ironwork<\/title>\n<meta name=\"description\" content=\"Gilberto Angelo Perlotto is one of the greatest contemporary exponents in ironwork art and critics have ascribed Gibo\u2019s work to the hyperrealist style.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giboperlotto.com\/en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Angelo Gilberto Perlotto - Gibo Perlotto - Sculpture Hyperrealist Ironwork\" \/>\n<meta property=\"og:description\" content=\"Gilberto Angelo Perlotto is one of the greatest contemporary exponents in ironwork art and critics have ascribed Gibo\u2019s work to the hyperrealist style.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.giboperlotto.com\/en\/\" \/>\n<meta property=\"og:site_name\" content=\"GIBO PERLOTTO\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-26T07:05:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.giboperlotto.com\/wp-content\/uploads\/2019\/05\/foto-home-page-gibo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/\",\"url\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/\",\"name\":\"Angelo Gilberto Perlotto - Gibo Perlotto - Sculpture Hyperrealist Ironwork\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.giboperlotto.com\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/foto-home-page-gibo.jpg\",\"datePublished\":\"2019-05-28T09:17:14+00:00\",\"dateModified\":\"2020-05-26T07:05:32+00:00\",\"description\":\"Gilberto Angelo Perlotto is one of the greatest contemporary exponents in ironwork art and critics have ascribed Gibo\u2019s work to the hyperrealist style.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.giboperlotto.com\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/foto-home-page-gibo.jpg\",\"contentUrl\":\"https:\\\/\\\/www.giboperlotto.com\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/foto-home-page-gibo.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gibo\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.giboperlotto.com\\\/en\\\/\",\"name\":\"GIBO PERLOTTO\",\"description\":\"Gilberto Angelo Perlotto, known as Gibo, is one of the greatest contemporary exponents in ironwork art. 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